Related Items you may be interested in:
|
|
 |
 |
 |
 |
CGA1268 God, You Enfold Me
Hal Hopson has masterfully combined a haunting Caccini melody with an extraordinary Celtic text in God, You Enfold Me. This piece is suitable for young singers as well as youth and adults, due to the ...
|
 |
. |
 |
 |
CGA594 So Long Ago on Christmas Day
Composer Hal Hopson has given us a lilting new anthem based on a text by Carlton C. Buck. The piece is written for unison/two part voices with keyboard and optional handbells (3 bells, 2 octave range)...
|
 |
. |
 |
 |
CGA621 Open the Gates
Hal Hopson's setting of Psalm 24 has many possibilities for use. The congregation may join in singing the refrains, using the congregational page provided. If available, the three handbells will be a ...
|
 |
. |
 |
 |
CGA645 Rocka My Soul
From the pen of Hal Hopson comes a joyful, lilting arrangement of the well-known African American spiritual. The text is based on Genesis 22. The spirited piano accompaniment will both support and enh...
|
 |
. |
 |
 |
CGA701 I Want Jesus to Walk With Me
From the pen of Hal Hopson comes a moving arrangement of a haunting African-American Spiritual.
Voicing: Two-part with piano
Arranger: Hal H. Hopson
Text: African American Spiritual
Season: Chr...
|
 |
. |
 |
 |
CGA757 What a Wonder
The lovely Malaysian folk melody and text combine to give this piece a feeling of wonder and delight. Hal Hopson wrote this for his grandson. The voices begin in unison, and if desired may divide late...
|
 |
. |
 |
 |
CGC55 When the Spirit Says Sing: Spirituals for Unison/Two-part Voices
When the Spirit Says Sing: Spirituals for Unison/Two-part Voices is an exciting and much-needed spiritual collection by some of Choristers Guild's most beloved composers. The arrangements in this coll...
|
 |
. |
 |
 |
CGA761 Bless This Gift
This ballad-like anthem is written in a popular style with a rhythmic, syncopated accompaniment. It is based on the story of the young boy who had five loaves and two fish, and the miracle which took ...
|
 |
. |
|