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"Choristers
Guild, a Christian organization, enables leaders to nurture the
spiritual and musical growth of children and youth."
The
History of Choristers Guild
Recollections
and Remembrance of Ruth and Leslie Jacobs
Brief
History, prepared by Madeline Bridges, 2007 - pdf format
CHORISTERS GUILD was founded in Los Angeles by the
late Ruth Krehbiel Jacobs, based on an idea—the systematic
development of Christian character in boys and girls through the
medium of the church Children’s Choir. Ruth’s desire
to establish the GUILD grew out of her own personal experiences
in choral music with children as well as her experiences in giving
lectures and conducting festivals and seminars. As she began to
achieve more national prominence, she received numerous “How
do you do it?” requests from all over the country. The idea
of sending out mimeographed letters on a regular basis evolved.
The CHORISTERS GUILD organization and the regular distribution of
Choristers Guild LETTERS came into existence in 1949 in Los Angeles.
The Guild was initially a personal venture of Ruth
and her husband, Leslie Jacobs, who supported it financially. As
the Guild grew, it was decided that the Guild should be incorporated.
In 1953, Choristers Guild as an official organization was incorporated
in Memphis Tennessee where the Jacobs were then living. A board
of Directors was selected, and Leslie assumed the full-time position
of Executive Secretary, giving Ruth more time to devote herself
to the objectives of the Guild. In these early years, all activities
were conducted from their home, by then in Santa Barbara, California.
During the formative years, local city and regional
chapters of the CHORISTERS GUILD were formed in a number of cities,
usually as a result of a festival or workshop conducted by Ruth
Jacobs.
Regretfully, during a large children’s choir
festival in Oklahoma in 1960, Ruth suffered a massive heart attack
and died. Although this could have caused the end of CHORISTERS
GUILD, wise counsel prevailed and the work of the GUILD continued,
guided by persons of national recognition who served on the Board
of Directors. By 1963 it was apparent that Leslie’s health
would not allow him to meet the demands as the Guild continued its
growth, so the Guild office was moved from California to Dallas,
TX, where Dr. Federal Lee Whittlesey left Highland Park Methodist
Church to become Executive Director. The GUILD office has remained
in the Dallas, TX area.
The Whittlesey years were ones of expansion and
growing pains: renting office space, purchasing equipment, increased
personnel, receipts and expenses, membership and outreach. The LETTERS
moved from being mimeographed to printed, and there was a steady
increase in the use of CG published materials which included anthems,
workbook pages, hymn studies, bulletin covers, awards, and other
choir aids. These materials were first distributed directly to members,
but with the catalogue growth in the area of anthems, appealing
posters, and recruitment aids, many music dealers began carrying
CG music and materials.
With Dr. Whittlesey’s retirement in 1968,
Dr. John S. C. Kemp became the new Executive Director. Both he and
his wife Helen came with a history of long involvement in the Guild
as clinicians for seminars, contributors to the LETTERS, John’s
position of the Board of Directors, and charter membership in the
organization. They were enthusiastically welcomed and membership
continued to grow. For many, Helen, who served the GUILD as Director
of Workshops and Festivals (both before and during John’s
term as Executive Director), became the face of Choristers Guild.
When the Kemps resigned in 1972, Guild leadership
passed briefly to Cecil Lapo and then in 1978 to John Burke. During
these years, membership increased and sales of anthems and materials
continued to climb. Distribution was a major focus of the office
staff, and CG began exhibiting at many national conventions and
workshops. As distribution costs continued to rise, the decision
was made to accept a proposal from the Lorenz Corporation to begin
handling all distribution of CHORISTERS GUILD music and materials.
This partnership began in April 1983, and has proven to be a wise
and beneficial move.
Patricia M. Evans became Executive Director in 1987
and under her leadership an Endowment Fund was established, and
the decision was made to change the name of the LETTERS to THE CHORISTER.
The guild continued to meet the needs of choir leaders through expanded
publishing of materials such as Stepping Stones and through
the hiring of a full-time music editor.
After a time of transition, during which the leadership
of the Guild experienced two short-term Executive Directors (George
Eison and James Steel), the hiring of current Executive Director
Jim Rindelaub in 2004 marked the beginning of a period of adjustment
and increased fiscal responsibility on the part of the CG Board
and the GUILD national office. The board itself moved from a size
of 17+ members to an average membership of 7-10. Whereas the Board
had previously met only once a year in the fall (with the Executive
Committee meeting each spring), the entire board now meets twice
a year. The CG office staff has been streamlined to more effectively
carry on the work of the Guild. These changes have proved fiscally
very beneficial to the organization; year-end financial reports
now reflect solid financial policies and operation.
It is the intent and prayer of the Board that CHORISTERS
GUILD continue its renewed strength and direction in recent years
while reaffirming its primary mission—enabling leaders to
more effectively nurture the spiritual growth of children and youth
through music. The Board has encouraged THE CHORISTER to reclaim
its original purpose—to provide direct assistance to children’s
choir directors. Additionally, the Board continues to affirm the
remarkable success of CG in the area of handbell music sales in
addition to the GUILD’s continued success in the publishing
of choral music and other teaching materials for use in children’s
and youth choirs.
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